31.10.08

Desert island cartoon: A personal milestone


The desert island is probably the most well-worn gag-cartoon scenario. I've drawn a few over the years, though not that many. But I think this is the first one to appear in a newsstand magazine, which must be some sort of personal milestone, I suppose.

It is one of three cartoons by me in the November issue of Reader's Digest. I was surprised to see so many used in the one issue, though obviously I was also pretty happy about it!

Royston's portfolio website

30.10.08

Sex cartoon: What to do afterwards?


I was commissioned to do bunch of cartoons on the theme of relationships for a forthcoming book. Here's one of them. And, yes, it's yet another blogging cartoon. Surely the well will run dry on that theme soon?

As you can see, I've gone for that old comedy stand-by, the post-coital cigarette, to indicate that sexual congress has just taken place. But even as I was drawing the cartoon, I was thinking that it's probably a cartoon signifier that should be retired. It's difficult to know how else to suggest that they have just "done it", without the cartoon getting too graphic, but the post-sex fag does seem a bit dated. Maybe something else will take it's place. All suggestions welcome ...

Royston's website: clean family fun

19.10.08

Big Draw at very big train station


Another Big Draw has come and gone. This time at the revamped (and very large) St Pancras International in London.

My role this year was to be one of the four cartoonists drawing a banner for the Professional Cartoonists' Organisation, on the theme of "Transports of Delight". We were competing in the Battle of the Cartoonists against teams from Private Eye, The Independent and The Guardian. So we were up against such well-known cartooning names as Steve Bell, Martin Rowson, Dave Brown and Ken Pyne.

My team-mates were Pete Dredge, who draws The Directors in Private Eye, greetings card maestro Robert Duncan (that's Rob and Pete holding the banner above) and Guardian business cartoonist Kipper Williams. We had two hours to draw the banner and it was the fastest two hours of my life. We came up with a series of single-panel gags where the frames were drawn to look like train tickets.


Left to right: Kipper Williams, Robert Duncan, myself and Pete Dredge

Voting was by members of the public, on a "who can cheer the loudest" basis and sadly we did not win. That honour went to the Independent, which was nice as the Guardian usually wins. We did get a lot of good feedback from the public though. The design of the banner was much admired, particularly as we were the only team that didn't go for the motif of a train careering off the tracks filled with politicians and City fat cats ...

Here are my gags from the banner (click to enlarge). We had planned to do one each but when we saw the banner we realised it was bigger than we thought! So we had to improvise and do one and a half tickets each, the second being a version of one I posted here just a few days ago.





See the full banner at the PCO blog

Royston's portfolio website

16.10.08

The Big Draw: Transports of Delight


Transports of Delight is the theme for the main cartooning event in the 2008 Big Draw campaign, which this year takes place at St Pancras International Station in London on Saturday (October 18).

The Big Draw is an annual, month-long campaign designed to get the nation drawing. I've taken part in the cartoon-based Big Draw events for the past two years, at Somerset House and Covent Garden respectively, and they're always fun.

This year, for the first time, I will be taking part in the ever-popular Battle of the Cartoonists, where four teams slug it out to produce the best 12ft cartoon banner. I'm on a team of four representing the Professional Cartoonists Organisation (PCO). My team-mates will be captain Pete Dredge, Kipper Williams and Robert Duncan. We'll be up against teams from The Guardian, The Independent and Private Eye.

The Battle of the Cartoonists runs from 3pm-5pm. The winning team is decided clap-o-meter-style – i.e. via vocal public approval, so please come along and shout for us!

There will also be workshops for all ages run by PCO members between 10am and 5pm. So that's the place to be if you want to learn how to draw cartoon characters, caricatures or comic strips.

Activities will take place in The Circle – second side entrance on St Pancras Rd and opposite the Gymnasium. I'm told that the dedicated area will be marked out with artificial grass and picket fencing so you can't miss us.

The Big Draw: Get involved

Royston's portfolio website

6.10.08

Life imitating cartoons

Here is a case of life imitating cartoons. Exhibit A: a gag published in Private Eye in 1998 ...


Exhibit B: A kids' animated film from 2008 which is about to hit a multiplex near you ...


OK, it's not a Disney film, and the focus is on Frankenstein's assistant, rather than the evil genius himself ... but still, it's a cuddly kids' comedy about creating a monster. I came up with the idea for the cartoon because I couldn't believe that they'd done a "Disneyfied" version of The Hunchback of Notre Dame and I just thought, What will they do next? But even at the time I remember thinking that the idea of doing a kids' version of Frankenstein was probably not that far fetched. Turns out, I was right.

Here's another case of life imitating cartoons. I saw this on a cartoonists' internet forum this week (thanks to Simon Lake). Click the image to read it:


I was compelled to point out that I was killing much-loved cartoon characters 20 years ago! Along with a group of friends I used to run a self-published "adult" comic called DoodleBug in the late 1980s. With scant regard for the copyright laws, we had a regular feature called "Kill the Cartoon Character of Your Choice", which involved readers suggesting characters that they'd like to see dispatched. We would then oblige.

As a result, we had Garfield shot, Scooby Doo beheaded, Snoopy hanged, and Popeye beaten to a bloody pulp (after someone swapped his spinach for a tin of spaghetti hoops). It was all very juvenile, of course, but then we were juveniles. Well, almost. I was 19 when we started the comic. Here's one of the strips, which sees everyone's favourite cute canary meet his maker ...


Again you'll need to click the above image to read it. The similarity between the image of Sylvester the cat in my cartoon and in the Jimmy Cauty painting is incredible ... though I'm not alleging anything other than coincidence I should add.

Of course, the moral here is that if I had thought "art gallery" for these cartoons, rather than self-published comic, and if I'd written the script for a kids version of Frankenstein rather than doing that one-off gag, I'd probably be a lot richer than I am now.

Royston's portfolio website

2.10.08

The Best of Punch Cartoons

Punch is synonymous with British cartooning. The magazine closed in 2002 but as it had started in 1841 the name still carries a lot of recognition. I played only a very small role in the story of Punch: a handful of gags published in its final years. It was barely a walk-on part in the 160 years of the magazine, but I'm always proud to say that I made it in there.

Above: My first Punch cartoon, published in 1997, the year I began gag cartooning

Sadly, I did not make it into The Best of Punch Cartoons*, a new book which is out this week, so I was not invited to the launch party at Harrods yesterday ... but that wasn't going to stop me!

My cartoonist pal Clive Goddard passed on his invite to me, as he couldn't make it, so I phoned up Harrods (the Punch brand is still owned by Mohamed Al Fayed) and begged in a frankly unseemly fashion to be allowed to attend.



It was a great night. Lots of champagne and canapes, as you would expect, and the chance to catch up with fellow cartoonists and meet a few for the first time. The long-established guys reminisced about the Punch do's of old and lamented the fact that a magazine once seen as Britain's equivalent of The New Yorker is no longer with us.

Speeches were made by the publisher and the book's editor, and they pointed out many times that they were selling it at the launch at 20 per cent off. Although as someone pointed out (probably a money-savvy cartoonist) it's already cheaper than that on Amazon.

Those attending who did buy books were keen to get the cartoonists to sign them. I thought it only fair to point out every time that I'm not actually in the Best Of, but they didn't care. I think they were just fascinated and amused at seeing genuine, live cartoonists dragged out of their gloomy studios and into the glare of publicity.


Above: A Punch cartoon from 1998. Of my early efforts, I think this one got the most positive reaction from people

A fun night then, but every silver lining has a cloud: I was informed by those who are in the book that they have not received any payment. Sadly, this is not an unusual situation in British cartooning, but you do have to ask, how can it be right that cartoonists make no money from a book comprised solely of cartoons?

It's an excellent book, though, and a no-brainer as a Christmas pressie for the cartoon lover in your family (it's not exactly a stocking filler though, it's huge). So if you enjoy it, why not send a Christmas bonus to one of the non-remunerated cartoonists in the book?

Not me, you understand. Did I mention that I'm not in it?

*UPDATE 27/10/08: I have since found out that the book ignores the relaunched Punch of 1996-2002. It's a real shame that they didn't include any of the cartoons from that period, but it means I don't feel too bad about not being included!

Some Royston cartoons from existing magazines

30.9.08

Animals cartoon: What's in a name?


I spent an inordinate amount of time deciding on the names for the animals in this cartoon, which can be seen in the October issue of Reader's Digest. Click the image to enlarge it.

They had to be fairly ordinary names, the type that people have, rather than the names people give to animals. Yet it still took time deciding which one would be Pete, which one Trish, etc. Thinking up names for characters in single-frame cartoons is always tricky because they have to work just once. You can't come up with a name that the readers will get used to over time, as with a comic strip.

By the way, if I know you personally, and you have the name of any of the animal characters above, please don't take offence! Any similarity to real persons living or dead is purely coincidental. I just thought I'd better point that out.

Royston's portfolio website

18.9.08

Blogging cartoon on a cartooning blog


I've not had much time for blogging lately, so instead here's a recently published cartoon about blogging.

There are bloggers who, like the deluded fool in this cartoon, believe that people they know are hanging on to their every word via their blogs. But, of course, with a hundred gazillion other blogs to choose from, not to mention other websites and distractions, you can never assume that anyone gives a stuff.

Hang on a minute ... is anyone reading this?

Royston's portfolio website

10.9.08

Cat and dog cartoons


Over the years I have done many cartoons on the subject of cats and dogs, including the one above which was in Private Eye in 2004. So when I came to do a revamp of my portfolio site recently I decided to create a gallery exclusively consisting of cat and dog cartoons from various publications, for all you pet lovers out there.

Here it is: Cat and Dog Cartoons. Enjoy (I hope no one's allergic?).

4.9.08

Cartoon portfolio site updated


It's been more than a year since I've updated the content on my portfolio website (click screenshot above to enlarge), but I finally got around to it this week.

I have added lots of magazine cartoons from the last year, as well as examples of cartoons and illustrations for books, leaflets, websites etc. that I have done recently.

There's no major revamp but I have simplified the site a bit. Whereas before each gag cartoon had its own page, I figure that in this broadband age you can put several on one page.

Here's the site: www.roystonrobertson.co.uk.

29.8.08

Cartoon from Reader's Digest humour issue


This cartoon is in the September issue of Reader's Digest which is billed as a "special humour issue" and features a bumper crop of cartoons.

Yet again, this is one that came to me while on a train, this time while playing Hangman with my son. Yes, I know I should switch off from work more often, but cartoonists rarely do, particularly as so many jokes are gleaned from everyday life.

Like my son and I, the pair in the cartoon are playing the game with film and TV titles. No prizes for guessing the film here. It's one that has inspired several cartoons by me over the years.

Royston's portfolio website

Toilet humour

I have writen on this blog before about what a boon Google Image Search is for the cartoonist. But sometimes it's just a distraction.

Yesterday I needed a picture of a toilet in profile for a commissioned job (it's not as bad as it sounds!) Quite a tricky thing to draw, off the top of your head, if you want to get the curves and pipes etc correct.

I could have popped downstairs to the bathroom for some real-life reference, but what's quicker than Google?

The trouble is, putting words like "toilet" and "lavatory" into Google is asking for trouble. It turned up all kind of weird stuff and took me down avenues I should have avoided. Here are some samples, and this is at the acceptable end. Well, the least graphic anyway.


What is that guy doing in the first pic? It doesn't look like my idea of a good time.

Royston's portfolio website

21.8.08

Chav debate: Cartoonists don't have to be nice


Here's a cartoon I drew last week to illustrate an article about new words in the Oxford English Dictionary, including slang phrases such as "muffin top". For those who don't know what that means, well I hope it's obvious from the cartoon.

As you can see, I have depicted characters that you might, in the current British parlance, describe as chavs. I sometimes do this in cartoons as a shorthand for a loutish or yobbish person. The Burberry baseball cap and sportswear usually does it.

But should I be doing this or does it merely show that I am a middle-class snob with a deep level of hatred towards the working class? That's what the Fabian Society would say. Last month the think tank said that the word chav should be banned.

I thought about this at the time, and can kind of see what they're getting at, they're worried about people being demonised. But isn't it patronising and insulting to imply that chav equals working class?

I guess I have to admit to being middle class because I went to university, read The Guardian, and have a passing acquaintance with sun-dried tomatoes, but my upbringing was working class and I know, possibly unlike the Fabian Society, that there are all kinds of working class people, many with no interest in designer sportsgear and hanging out at bus shelters.

It was left to Simon Donald, co-creator of Viz, to be the voice of reason when he pointed out that the word chav is meant to be a term of abuse. He has a point, it's like saying that the word idiot should be banned as it is offensive to idiots.

But the real question is: should I as a cartoonist even concern myself with the debate? Cartoonists don't have to be nice. Cartoons are meant to provoke and offend on occasion. That's why when Viz launched it was the funniest comedy around in any medium, because unlike the comedians on the TV and the radio they weren't constantly worrying about offending certain sections of society.

I'm not advocating a return to the days when racist and sexist humour was dominant, merely suggesting that we don't need to be concerned at all times about who gets upset by jokes and cartoons. Lampooning louts and idiots goes back to the days of Hogarth, so Burberry baseball caps won't be disappearing from my cartoons any time soon.

Anyway, on balance I probably do more jokes about the middle classes (see the Reader's Digest and Private Eye cartoons below). Everyone is fair game.


Royston's portfolio website

13.8.08

Time for change


Regular readers (I know you're out there) will have noticed changes to the way this blog looks. I've been fiddling with it a fair bit, switching to a more customisable template and so on. I'm still trying out various things, experimenting with colours etc, so bear with me if, on occasion, it all looks a bit odd.

One major improvement is the blog list, which now automatically changes order with the most recently updated at the top. I'm sure this feature has been around for ages, but it was new to me! If anyone knows of any other good cartoon-related blogs I should add, let me know.

Royston's portfolio website

7.8.08

The talking-object cartoon

My cartoonist friend Alex Matthews tells me that he has been trying for ages to get a talking-object cartoon published in a magazine. And he's finally succeeded, with a cartoon featuring a talking stagalmite (or is it a stalactite?) in Prospect magazine. You can see it on his new blog.

This got me thinking because I've really not done a great deal of talking-object cartoons. I've done plenty with talking animals, but not your actual inanimate everyday objects. And, really, you don't see that many around, unless they're by the master of the technique: the New Yorker's Charles Barsotti. He's given life to many an lifeless object. A great talking pasta gag springs to mind.

Anyway, I looked through my files and could only find one published example, and it's almost ten years old. This was published in 1999 in the now defunct Metro supplement which came with the The Times on a Saturday.



I've always had a fondness for this one, probably because it's so very, very daft, and I never thought anyone would actually print it! I like the world-weary look on the ironing board's, er, face.

Looking through my unpublished gags, I found I've done maybe three or four others but none I want to share here because one is quite recent and is still "doing the rounds" of the magazines, and the others are, well, not that great. OK ... I have no shame, here's one. Talking punctuation marks, anyone?



Actually I rewrote this cartoon for a commissioned job. It became one of several cartoons illustrating an in-house style book (a guide to grammar usage etc.), but the rewritten line came from the mouth of a human.

It was an interesting exercise to look through my talking-object gags because what I realised was this: in every one of them the technique is used to illustrate a pun! So maybe a little thinking outside the box is in order and I need to find other ways of utilising this little-used cartoon technique. But I don't think Mr Barsotti will be too worried just yet.

If you have any links to great talking-object cartoons that I may have missed, let me know.

Royston's portfolio website

4.8.08

Cartoon exhibition: A Beano beano



Last week I went to a preview of the Beano and Dandy Birthday Bash exhibition which is currently running at the Cartoon Museum in London. Here's a short review I wrote for the PCO blog:

I attended the preview of Beano and Dandy show and can report that, as you would expect, it's great fun.

For the cartoonist geeks among us it's a chance to peer up close at original artwork drawn by some of the much-loved masters of comic art, such as Ken Reid and Dudley Watkins.

But there's plenty for the younger comic readers too, including activities and quizzes. Can you name all nine Bash Street Kids?

The exhibition spans eight decades and takes in all the Beano and Dandy characters you'd expect to see, from the iconic figureheads of Dennis the Menace and Desperate Dan to much-loved characters from the past such as Brassneck, Winker Watson and Pansy Potter (The Strongman's Daughter, of course).

A highlight for me was the wartime strip showing Lord Snooty taking on Adolf Hitler. Der Führer is unhappy that the Beano is keeping the British nation cheerful and vows to get rid of it. But Snooty and his pals have other ideas. A classic.

I'll certainly be returning with my kids, and I suggest that anyone with a love of British comics puts it on their must-see list for the summer and autumn. The exhibition runs until November 2.

The museum is running Beano and Dandy events for children throughout August, including family fun days, cartooning masterclass sessions, and chances to meet Beano artists. For more, visit the Cartoon Museum website.

Royston's portfolio website

25.7.08

Cartooning in the media


This is a version of a cartoon I had published a few years back. I use it by way of illustration, though really it has nothing to do with the following article which is considerably less cynical. It is a short piece I wrote for the PCO blog about media coverage of cartooning

There’s no doubt that cartoons are enjoying an unusually high profile in the British media at the moment.

We’ve seen acres of coverage for the launch of new kids’ comic The DFC, the 70th anniversary of The Beano and Phill Jupitus’s comic strip programme on Radio Four. There has even been a graphic novel serialised in The Times.

So, are cartoonists happy about this? Not a bit of it.

I agree with Neil Dishington, who wrote on the PCO blog yesterday, that the Phill Jupitus thing was nothing special, but is that because we’re cartoonists and therefore he’s preaching to the converted? I think it’s likely that many listeners would have found Jupitus’s sincere enthusiasm about comic strips quite infectious.

Isn’t it a good thing that shows like these exist? Is it not the case that the only thing worse than the media talking about cartoons is the media not talking about cartoons?

But they misrepresent cartooning, some cartoonists cry, it’s obvious they don’t know what they’re talking about. Well, maybe. I’m sure I heard James Naughtie talking about "animators" at The Beano on the Today show on Monday, but is there a single profession that doesn’t think it is often misrepresented by the media? I know journalists who think the media misrepresents them.

Another common complaint is that any media obsession with cartoons is just a passing fad. Again, that may be true, perhaps they’re using cartoons to cheer us up amid all the credit crunch stuff, but then that is the role of most cartoons. And let’s not forget that the media treats many subjects in a faddish way before moving on to the next thing.

And as for the grumbling over celebs such as Jupitus drawing cartoons, cartooning has always been something where everyone wants to have a go. That's because it's fun. We often encourage that attitude, at events such as The Big Draw and the Shrewsbury Cartoon Festival.

All you can do is keep on doing good cartoon work and hope that those who commission cartoons for publication will realise that it is best to go to a professional.

Royston's portfolio website

17.7.08

Celebrity cartoonists: What a bunch of quitters!



The comedian Phill Jupitus has produced a couple of comic strips to promote the radio programme Comic Love, in which he talks about his love of comics and newspaper strips. One can be seen in the July 19 edition of Radio Times and the other (excerpt above) here: Seeing the world in four panels.

Jupitus is one of many celebrities who, in their younger days, dabbled with careers in cartooning before going on to make their name in a different way. Usually a more profitable one.

Three years ago I wrote an article for The Jester, newsletter of the Cartoonists' Club of Great Britain, which was a round-up of these erstwhile cartoonists. It is reprinted here.


MEL CALMAN called his autobiography What Else Do You Do?, after the question that is so often put to cartoonists. In fact, there appear to be many cartoonists who not only did something else, but found that that occupation eventually made their name, to the point where the career in cartooning became a largely forgotten footnote.

I started thinking about this when I heard after the death of the comedian Bob Monkhouse that he had once been a cartoonist. A little light research on the internet turned up the fact that he worked for D.C. Thomson, but other than this I know very little and I’d be grateful if anyone could shed any light on the matter.**

At about the same time, I read an article about the novelist John Updike and how he had been obsessed with cartoons as a child. He regularly badgered his cartoonist heroes for original artwork for free (how we know that feeling). Updike also tried his hand at being a cartoonist before coming to his senses and deciding that writing was the better path to take. It was certainly the more lucrative.

Another writer who has dabbled with cartooning is Will Self. Some of his work can be seen in a compilation of his newspaper and magazine articles called Junk Mail. The drawing is crude but some of the gags are pretty good. A friend of mine used to work as a sub-editor at an architecture magazine called Building Design where Self once wrote a column and regularly submitted a cartoon along with it. My pal took a rather dim view of Will Self the artist because he never rubbed out his pencil lines and the lowly, overworked subs had to do it.



BBC 6Music presenter Marc Riley, formerly “Lard” of Mark and Lard fame on Radio One, and an ex-bass player with The Fall, is an ex-cartoonist whose drawing was somewhat on the crude side. Readers may remember his Harry the Head from Oink! Comic. He also appeared in photo strips in Oink! He was the guy with the big nose.

Former 6Music breakfast show presenter Phill Jupitus, the comedian and Never Mind the Buzzcocks team captain, also dabbled as a cartoonist apparently, though again I was unable to unearth any details about his early work (seems you can’t find everything on the internet) so it would be great if anyone could fill in the, er, sketchy details.

Another former cartoonist is broadcaster Andrew Collins, also an ex-New Musical Express journalist, EastEnders scriptwriter, Radio Times film writer and general overachiever. He chronicled his love of cartoons and half-hearted attempts to make a living drawing owls and wizards for puzzle magazines in Where Did it All Go Right and Heaven Knows I’m Miserable Now, his bestselling memoirs of growing up in the 1970s and 1980s.

Talking of the NME, anyone who used to read the music paper in the early 1990s may remember a cartoon drawn in the style of Gillray called Dr Crawshaft’s World of Pop. But did you know that it was drawn by Arthur Mathews who went on to co-script the sitcom Father Ted? Of course comedy writing and cartooning often go hand in hand. I know that some Cartoonists’ Club members have scripted stuff for radio and TV.

So I suppose there’s hope for us all if we get disillusioned with the world of cartooning. If you know any other examples of famous former cartoonists, let me know.

Right, time to get back to the drawing board/typewriter/record decks …

Comic Love is on BBC Radio Four at 10.30am on Saturday 19 July.



**UPDATE**
Here is a cartoon by Bob Monkhouse of cartoonist Noel Ford, along with a photo of Bob working on that very drawing. Noel, who once worked with Bob at the BBC, says he really did look that weird in the 1970s! Thanks for sharing, Noel.

Royston: Non-celebrity cartoonist!

11.7.08

Dalek cartoon: The director's cut


This cartoon is in the current edition of Private Eye. The Dalek cartoon was popular a few years back, notably during the lengthy period that Doctor Who was off air. Here I've combined it with a current popular obsession among cartoonists: outdoor smokers.

Private Eye added a sign reading "Stage Door" on the left hand side of the cartoon. I had considered putting in a sign saying "BBC" when I submitted the gag, but I thought it might be over-egging the joke. I don't think a sign is needed really.

Apart from anything else, I thought that rather than actors smoking inside the Daleks, maybe this takes place in the Doctor Who universe – the Whoniverse, if you will – and these are Daleks taking a break from conquering the human race. Well, whatever the interpretation, it's smoking Daleks, what more do you want?

It's not the first time I've had a Doctor Who gag in Private Eye. Here's one from 2005, just before the series was relaunched.

In actual fact, having been a big Doctor Who fan as a child, I was really looking forward to the new series, but sometimes you have to play Devil's Advocate as a cartoonist. There had been an excessive amount of hype surrounding the series (that seems to have been maintained!) and the media kept falling back on the old "get ready to hide behind the sofa" cliche, hence this cartoon.

Royston's portfolio: Star Wars cartoons also available ...

9.7.08

News media cartoon: More relevant than ever


Here's another cartoon from the archives. A ten-year-old gag from Private Eye (26 June, 1998) that is probably more relevant now than ever. TV news was just getting going on dumbing down back then.

This is another pre-Google Image Search cartoon. I drew Sooty from memory and knew at the time that he didn't look quite right. When the cartoon appeared in print I saw what was wrong ... his ears were white! So when I put together my first portfolio website, a year later, I put up a version with black ears.

The cartoon made a reappearance in the Private Eye annual of 1998 (with white ears). It was also one of the first cartoons where I sold the original. A friend snapped it up for a sum that was cheap even for 1998 (hope you realise you got a bargain, Simon!)

Royston's portfolio website