Showing posts with label cartoonists. Show all posts
Showing posts with label cartoonists. Show all posts

4.11.09

Page three cartoonist


Look, I wasn't going to mention it again, but they've only gone and put me on page three of the local paper. Shame about that grimace. Click to enlarge or read it here: Your Thanet

Update 6.11.09: Here's another cutting, click it to enlarge. This appeared in today's Kent Messenger. More egg-based wordplay!


Royston's portfolio website

15.7.09

Cartoonists unleashed!


Occasionally I put down my pens, get on a train to London and socialise with other cartoonists. And a right good laugh we invariably have as well. Here's me pictured last week at Prospect magazine's annual summer party, with fellow scribblers Paul Lowe and new boy Rob Murray.

I think my dazed expression is the result of the flash from the camera wielded by another cartoonist, Clive Goddard, and not, as you may think, the effect of too much free wine.

The party was held in the garden behind Prospect's office in Bloomsbury. As is usual on these occasions, I spent most of the time chatting to other cartoonists, and so I failed do any "networking". Darn. There was lots of celeb spotting to be done though, mainly of the Guardian reader/Newsnight viewer variety ("Ooo look there's Martha Kearney!" etc.)

Of course, being invited to a magazine's party is no guarantee that your cartoons will appear regularly in it, and in fact I've not been seen in those pages since February. But they're very nice people who give booze and canapés to cartoonists, so I'll let them off.

Here's the first cartoon of mine that Prospect published, from way back in October 2004.

"Yes, it's a senseless act, but I fail to see how it has 'all the hallmarks of al-Qaida'."

Royston's portfolio website

24.3.09

Looks familiar


As a freelance cartoonist and father-of-two, I can really relate to the scenario in this Jack Tippit cartoon. I hope this guy has bought stuff that's going to last! This is from the always excellent Mike Lynch Cartoons blog.

Royston's portfolio website

18.3.09

Propaganda poster for cartoonists


The Keep Calm and Carry On World War Two propaganda poster is proving to be a big hit, as a result of the economic downturn, according to the Guardian. So here's my version for cartoonists (above, click to enlarge).

It's not hard to see why people love the 1939 government poster, they're embracing the "Blitz spirit", refusing to let the credit crunch get them down. Here's the original:


But, as a cartoonist friend said to me recently, "Your whole life's a credit crunch when you're a cartoonist!" Like many self-employed people, cartoonists do find it tough-going sometimes, recession or no recession. You may not be selling enough gags, maybe not getting enough commissioned work ... it can get tough.

All you can do is keep calm and carry on, as the poster says, and hope that something turns up. It usually does. So in that spirit, I created my own version of that poster for all you cartoonists out there.

If you would like a non-watermarked version of my poster for your own use, contact me and let me know. You can put it on your blog or print it off and stick it on your wall ... stiff upper lip chaps and chapesses, noses to the drawing boards, we'll get through it!

Royston's portfolio website

23.2.09

Coming soon: Shrewsbury Cartoon Festival


The Shrewsbury International Cartoon Festival website has been updated, with details of this year's events. The festival takes place from April 23-26, with various exhibitions in April and May. There's more at The Bloghorn.

This will be my fourth time at the festival. Here's what I got up to last year, and in 2007 and 2006. Or click this link for all my Shrewsbury- related posts.

Royston's portfolio website

30.9.08

Animals cartoon: What's in a name?


I spent an inordinate amount of time deciding on the names for the animals in this cartoon, which can be seen in the October issue of Reader's Digest. Click the image to enlarge it.

They had to be fairly ordinary names, the type that people have, rather than the names people give to animals. Yet it still took time deciding which one would be Pete, which one Trish, etc. Thinking up names for characters in single-frame cartoons is always tricky because they have to work just once. You can't come up with a name that the readers will get used to over time, as with a comic strip.

By the way, if I know you personally, and you have the name of any of the animal characters above, please don't take offence! Any similarity to real persons living or dead is purely coincidental. I just thought I'd better point that out.

Royston's portfolio website

10.9.08

Cat and dog cartoons


Over the years I have done many cartoons on the subject of cats and dogs, including the one above which was in Private Eye in 2004. So when I came to do a revamp of my portfolio site recently I decided to create a gallery exclusively consisting of cat and dog cartoons from various publications, for all you pet lovers out there.

Here it is: Cat and Dog Cartoons. Enjoy (I hope no one's allergic?).

4.9.08

Cartoon portfolio site updated


It's been more than a year since I've updated the content on my portfolio website (click screenshot above to enlarge), but I finally got around to it this week.

I have added lots of magazine cartoons from the last year, as well as examples of cartoons and illustrations for books, leaflets, websites etc. that I have done recently.

There's no major revamp but I have simplified the site a bit. Whereas before each gag cartoon had its own page, I figure that in this broadband age you can put several on one page.

Here's the site: www.roystonrobertson.co.uk.

17.7.08

Celebrity cartoonists: What a bunch of quitters!



The comedian Phill Jupitus has produced a couple of comic strips to promote the radio programme Comic Love, in which he talks about his love of comics and newspaper strips. One can be seen in the July 19 edition of Radio Times and the other (excerpt above) here: Seeing the world in four panels.

Jupitus is one of many celebrities who, in their younger days, dabbled with careers in cartooning before going on to make their name in a different way. Usually a more profitable one.

Three years ago I wrote an article for The Jester, newsletter of the Cartoonists' Club of Great Britain, which was a round-up of these erstwhile cartoonists. It is reprinted here.


MEL CALMAN called his autobiography What Else Do You Do?, after the question that is so often put to cartoonists. In fact, there appear to be many cartoonists who not only did something else, but found that that occupation eventually made their name, to the point where the career in cartooning became a largely forgotten footnote.

I started thinking about this when I heard after the death of the comedian Bob Monkhouse that he had once been a cartoonist. A little light research on the internet turned up the fact that he worked for D.C. Thomson, but other than this I know very little and I’d be grateful if anyone could shed any light on the matter.**

At about the same time, I read an article about the novelist John Updike and how he had been obsessed with cartoons as a child. He regularly badgered his cartoonist heroes for original artwork for free (how we know that feeling). Updike also tried his hand at being a cartoonist before coming to his senses and deciding that writing was the better path to take. It was certainly the more lucrative.

Another writer who has dabbled with cartooning is Will Self. Some of his work can be seen in a compilation of his newspaper and magazine articles called Junk Mail. The drawing is crude but some of the gags are pretty good. A friend of mine used to work as a sub-editor at an architecture magazine called Building Design where Self once wrote a column and regularly submitted a cartoon along with it. My pal took a rather dim view of Will Self the artist because he never rubbed out his pencil lines and the lowly, overworked subs had to do it.



BBC 6Music presenter Marc Riley, formerly “Lard” of Mark and Lard fame on Radio One, and an ex-bass player with The Fall, is an ex-cartoonist whose drawing was somewhat on the crude side. Readers may remember his Harry the Head from Oink! Comic. He also appeared in photo strips in Oink! He was the guy with the big nose.

Former 6Music breakfast show presenter Phill Jupitus, the comedian and Never Mind the Buzzcocks team captain, also dabbled as a cartoonist apparently, though again I was unable to unearth any details about his early work (seems you can’t find everything on the internet) so it would be great if anyone could fill in the, er, sketchy details.

Another former cartoonist is broadcaster Andrew Collins, also an ex-New Musical Express journalist, EastEnders scriptwriter, Radio Times film writer and general overachiever. He chronicled his love of cartoons and half-hearted attempts to make a living drawing owls and wizards for puzzle magazines in Where Did it All Go Right and Heaven Knows I’m Miserable Now, his bestselling memoirs of growing up in the 1970s and 1980s.

Talking of the NME, anyone who used to read the music paper in the early 1990s may remember a cartoon drawn in the style of Gillray called Dr Crawshaft’s World of Pop. But did you know that it was drawn by Arthur Mathews who went on to co-script the sitcom Father Ted? Of course comedy writing and cartooning often go hand in hand. I know that some Cartoonists’ Club members have scripted stuff for radio and TV.

So I suppose there’s hope for us all if we get disillusioned with the world of cartooning. If you know any other examples of famous former cartoonists, let me know.

Right, time to get back to the drawing board/typewriter/record decks …

Comic Love is on BBC Radio Four at 10.30am on Saturday 19 July.



**UPDATE**
Here is a cartoon by Bob Monkhouse of cartoonist Noel Ford, along with a photo of Bob working on that very drawing. Noel, who once worked with Bob at the BBC, says he really did look that weird in the 1970s! Thanks for sharing, Noel.

Royston: Non-celebrity cartoonist!

9.7.08

News media cartoon: More relevant than ever


Here's another cartoon from the archives. A ten-year-old gag from Private Eye (26 June, 1998) that is probably more relevant now than ever. TV news was just getting going on dumbing down back then.

This is another pre-Google Image Search cartoon. I drew Sooty from memory and knew at the time that he didn't look quite right. When the cartoon appeared in print I saw what was wrong ... his ears were white! So when I put together my first portfolio website, a year later, I put up a version with black ears.

The cartoon made a reappearance in the Private Eye annual of 1998 (with white ears). It was also one of the first cartoons where I sold the original. A friend snapped it up for a sum that was cheap even for 1998 (hope you realise you got a bargain, Simon!)

Royston's portfolio website

One from the archives: My oldest drawing

For this journey into the past we're going back a l-o-n-g way, to the oldest drawing of mine that I still own. It was drawn when I was ten years old.

Clearly it was kept (by my mum) as it's an "award-winning" cartoon: Third Prize in the Schools Painting Competition run by the Catterick and District Caged Bird Society. Oh, yes. Here's the proof:



It was not intended as a cartoon as such, but I think the drawing betrays a cartoonist's sensibility ...



Yes, that's right, I drew a dodo for the Caged Bird Society! I remember being slightly obsessed with the extinct bird as a kid. Not sure why. I love the fact that the certificate just says "His painting of a bird". It's not even a painting as it's drawn with coloured pencils. I also like the fact that the dodo looks pretty evil.

I did draw cartoons before this. I made my own comic when I was about eight or nine called "Ka-Pow!" I used to draw it with carbon paper underneath and an extra sheet of paper so I'd have a copy for my friend Richard. I've no idea what happened to the comics, so my strips "Gomez the Gorilla" and "Toot and Carmen" are sadly not available to be shown here.

That's probably a good thing, on reflection.

Some more up-to-date cartoons by Royston

25.6.08

Arts and culture cartoon: The waiting game


Sometimes you have to wait quite some time before a cartoon which is taken by a magazine actually appears in its pages. The above cartoon is a case in point. It appears in the current issue of The Spectator. My records show that it was part of a batch of cartoons sent to the magazine on May 8th, 2007. So it has taken 13 months to see the light of day.

I've found, from talking to other cartoonists, that this is not unusual. Some have horror stories of even longer delays. My own personal record is the cartoon below which appeared in the New Statesman in early 2001, two years after they took it.

By the way, Newsnight Review, for those not familiar with it, is a BBC2 arts show that is screened on a Friday night after the regular Newsnight show. It's always good for a laugh as some of the comments of the participants can be a bit on the pretentious side. It's particularly amusing when discussing stuff that isn't generally what you'd call high-brow. For example the poet and critic Tom Paulin seems to say about more or less any Hollywood film, "Essentially, I think, the subtext here is Vietnam."

Kids, on the other hand, have two default settings when it comes to "reviewing" films and TV. As a parent I'm acutely aware that everything is "cool" or "boring". They should hand Newsnight Review over to the kids for one show. They'd get through a lot of stuff.

***UPDATE July 4, 2008***
Unbelievably, the "Newsnight Review for Kids" cartoon has come true! This week they brought in a panel of kids, rather than the usual pundits, to discuss the stage version of High School Musical. The words "like" and "cheesy" were heard a lot more than usual. Here it is: The REAL Newsnight Review for Kids.

Royston's portfolio website

18.6.08

Boardroom cartoon: A bit topical


I do cartoons for various business/trade magazines. Usually they're drawn to accompany an article, in this case one about governing boards putting together questionnaires to assess their own effectiveness. But on occasion you can allow a spot of topicality to creep in – which is what happened here.

Note to non-UK readers: there has been a spate of cases where officials have left top-secret documents on trains and buses lately. The public reaction to this phenomenon was summed up neatly by the comedian Jeremy Hardy on Radio 4's News Quiz: "Everyone says, That's ridiculous! What kind of person would do that? And then you stop and think ... I would do that ..."

Royston's portfolio website

4.6.08

Comic strip: The Wedding Present

Here's something else a bit different from the usual gag cartooning, an excerpt from a comic strip drawn for a forthcoming book about David Gedge, lead singer of influential indie band The Wedding Present. Click the image to enlarge.



I used to draw strips for the band's fanzine in the late 80s/early 90s and was invited, along with other cartoonists who drew for the band, to contribute to the new book. We were provided with rough storylines, and asked to illustrate and expand on them. My strip was a transcription of a real tour-bus conversation, to which I added a few humorous flights of fantasy.

A postscript to this is that I received a free copy of the band's new album El Rey this week and found that I'm among the thank-yous in the CD booklet! As I've been a fan of the band for 21 years I got quite a kick out of that.

You can see a couple of my strips from 1989 at the Wedding Present fan site Something and Nothing.

Royston's portfolio website

30.5.08

Humorous illustration: some examples



You might get the impression from this blog that my work is all about the on-spec gag cartoon market. But, in fact, a lot of my time is taken up with commissioned work, and these drawings are often more in the area that is known as "humorous illustration", rather than joke cartoons.

Here are some examples, from various books and magazines. Click the images for larger versions.






Royston's portfolio website: humorous illustration and more

23.5.08

Caricatured by Steve Bright



This caricature of me was drawn by my cartoonist pal Steve Bright. It was kind of an exercise in no-holds-barred caricaturing. I'm pretty sure Steve isn't quite so cruel when at live caricaturing gigs, or he'd never get asked back. But I'm not (too) vain, I love it! And it's now on my wall, as well as my blog.

Steve cut his teeth at the Beano and Dandy and was co-creator of Bananaman (he also kindly drew a Bananaman for my son). He's a superb draughtsman and to see him draw live is a joy. Check out his website Steve Bright Cartoons.

The egg-shaker, by the way, is a reference to my "musical" exploits at the Shrewsbury Cartoon Festival.

Royston's portfolio website

15.5.08

Recycling cartoon: Climate change is such a laugh


I "do my bit", as they say, in terms of recycling, composting, re-using stuff, using public transport, etc, and I certainly believe that climate change is a problem ... yet I find that it's so much easier to make jokes about "Green enthusiasts" than about the climate-change deniers. Above is an example, which appears in this week's Private Eye.

I read an article in the Guardian last week about whether it's possible for comedians to do jokes supporting environmentalism, or whether they just end up sounding preachy. I've certainly seen the latter with some comedians who have tackled the issue. But maybe I'm just being lazy and should attempt some pro-environmentalism gags. Watch this space.

Appropriately, the joke in this cartoon was originally written for a commission but it was rejected by the client in favour of another option. So I "recycled" the joke by drawing it as a cartoon to go out with an on-spec batch.

Royston's portfolio website

Review: Pont at the Cartoon Museum

I wrote a review of the exhibition Pont: Observing the British at Home and Abroad, which is at the Cartoon Museum in London, for the Professional Cartoonists' Organisation blog. Here it is:

It's probably asking for trouble to use the word "important" in relation to a cartoon exhibition, but it seems applicable here as Pont, who was known as Graham Laidler to his mum, is so often overlooked when histories of cartooning are written.

Also, these cartoons from the 1930s were clearly instrumental in helping to create the magazine cartoon as we know it today. And a tribute to their worth is the fact that so many are laugh-out-loud funny, even now.

Pont's The British Character cartoons, which appeared in Punch and make up a large chunk of the show, still seem to hit the nail on the head. Even the captions in themselves are funny: "Fondness for laughing at our own anecdotes"; "Passion for not forgetting the moderately great"; and, my particular favourite, "A tendency to leave the washing-up till later".

The drawings demand your attention, and repay you with lots of brilliant details. Look at that impatient left foot in the drawing above! In "Life in the Flat Above", part of the Popular Misconceptions series, we see every member of the family jumping up and down on the floor and clanging pots, but look closer and you see that figures in the paintings on the walls, including an elephant, are also jumping.

Laidler died at 32, a tragically short life, but what a groundbreaking legacy he left. The cartoon above looks like a 1930s precursor to the melancholy of Charles Schulz's Peanuts.

So it's an important show, but it's mostly just very, very funny. The exhibition, which includes a comprehensive and reasonably priced catalogue, is at the Cartoon Museum until July 27. Go and see it.

The Cartoon Museum website

The Professional Cartoonists' Organisation

7.5.08

Dinner party cartoon: Let's change the subject


Here's a cartoon from May's Reader's Digest. Needless to say, this is based on experience. Why do people love talking about these subjects so much, particularly houses? I own a house, not thinking of moving, or buying another, so who cares? People ask how much your house is worth now even when you're not selling, as if you're supposed to keep checking. Come on people, let's find something else to talk about. Whose watching Mad Men? Anyone?

Royston's portfolio website

From the archives: Early "fame"

I came across these cuttings while having a sort out the other day. The first two are from nearly 20 years ago when some friends and I ran a self-published Viz-inspired comic called DoodleBug.

We sent copies out to various media outlets, most of whom ignored us. We did get a mention on the John Peel Show though and, for some reason, five glowing reviews (not bad as we only did eight issues!) in the now defunct Record Mirror. These are the last two. Click to enlarge and read the text.



The cutting below, worth posting for the dodgy hair and glasses, is from 1994. Universal Post was a magazine for students in Sunderland. It was independent, not connected to the university, and was my first regular paying gig. For a couple of years I did a strip every fortnight (A4, landscape, two decks) and they paid me £20 for it. Not a great deal of money even then, but I put it all into a separate bank account and eventually it paid for a holiday abroad.

I submitted some of the strips in a competition for student cartoonists run by Zit comic, to which this article refers. Click to enlarge and read the text.



Check out the "comedy" pose and me pretending to draw a strip I'd finished ages ago! By the way I didn't come second, there was only one winner and everyone else was a runner up. I think the paper decided second sounded better. The bit about me being drunk is a scurrilous lie.

Royston's portfolio website