I'd better watch out ...

My six-year-old son is getting pretty good at drawing cartoons. I love this Dennis and Gnasher he came up with last week, especially the way the dog looks like he's peering fiercely over the bottom edge of the paper. Note the enthusiasm with which the black stripes on the jumper are drawn ... he's torn the paper as a result.

Cartoons by his Dad

Cartoon exhibition: A Beano beano

Last week I went to a preview of the Beano and Dandy Birthday Bash exhibition which is currently running at the Cartoon Museum in London. Here's a short review I wrote for the PCO blog:

I attended the preview of Beano and Dandy show and can report that, as you would expect, it's great fun.

For the cartoonist geeks among us it's a chance to peer up close at original artwork drawn by some of the much-loved masters of comic art, such as Ken Reid and Dudley Watkins.

But there's plenty for the younger comic readers too, including activities and quizzes. Can you name all nine Bash Street Kids?

The exhibition spans eight decades and takes in all the Beano and Dandy characters you'd expect to see, from the iconic figureheads of Dennis the Menace and Desperate Dan to much-loved characters from the past such as Brassneck, Winker Watson and Pansy Potter (The Strongman's Daughter, of course).

A highlight for me was the wartime strip showing Lord Snooty taking on Adolf Hitler. Der Führer is unhappy that the Beano is keeping the British nation cheerful and vows to get rid of it. But Snooty and his pals have other ideas. A classic.

I'll certainly be returning with my kids, and I suggest that anyone with a love of British comics puts it on their must-see list for the summer and autumn. The exhibition runs until November 2.

The museum is running Beano and Dandy events for children throughout August, including family fun days, cartooning masterclass sessions, and chances to meet Beano artists. For more, visit the Cartoon Museum website.

Royston's portfolio website

Cartooning in the media

This is a version of a cartoon I had published a few years back. I use it by way of illustration, though really it has nothing to do with the following article which is considerably less cynical. It is a short piece I wrote for the PCO blog about media coverage of cartooning

There’s no doubt that cartoons are enjoying an unusually high profile in the British media at the moment.

We’ve seen acres of coverage for the launch of new kids’ comic The DFC, the 70th anniversary of The Beano and Phill Jupitus’s comic strip programme on Radio Four. There has even been a graphic novel serialised in The Times.

So, are cartoonists happy about this? Not a bit of it.

I agree with Neil Dishington, who wrote on the PCO blog yesterday, that the Phill Jupitus thing was nothing special, but is that because we’re cartoonists and therefore he’s preaching to the converted? I think it’s likely that many listeners would have found Jupitus’s sincere enthusiasm about comic strips quite infectious.

Isn’t it a good thing that shows like these exist? Is it not the case that the only thing worse than the media talking about cartoons is the media not talking about cartoons?

But they misrepresent cartooning, some cartoonists cry, it’s obvious they don’t know what they’re talking about. Well, maybe. I’m sure I heard James Naughtie talking about "animators" at The Beano on the Today show on Monday, but is there a single profession that doesn’t think it is often misrepresented by the media? I know journalists who think the media misrepresents them.

Another common complaint is that any media obsession with cartoons is just a passing fad. Again, that may be true, perhaps they’re using cartoons to cheer us up amid all the credit crunch stuff, but then that is the role of most cartoons. And let’s not forget that the media treats many subjects in a faddish way before moving on to the next thing.

And as for the grumbling over celebs such as Jupitus drawing cartoons, cartooning has always been something where everyone wants to have a go. That's because it's fun. We often encourage that attitude, at events such as The Big Draw and the Shrewsbury Cartoon Festival.

All you can do is keep on doing good cartoon work and hope that those who commission cartoons for publication will realise that it is best to go to a professional.

Royston's portfolio website