19.8.09

Cartoon for Big Draw auction


Here's a cartoon (click to enlarge) which I submitted this week for an exhibition and auction which is to be run by The Campaign for Drawing, the people behind the annual Big Draw events.

A larger version of this cartoon was featured on the Professional Cartoonists' Organisation's banner which we created at the St Pancras Big Draw last year. The banner itself will also be auctioned, if anyone's got enough room for it.

Details on the exhibition and auction are below. Click to read, or visit the Campaign for Drawing website. Why not go along and see if there's anything you want to bid for? The auction raises money for the Campaign so they can carry on their excellent work.


Royston's portfolio website

17.8.09

Interviewed by The Culture Vulture


Here's a link to another interview, a short one this time, for The Culture Vulture, the organisation behind the Travelling Moleskine project. It covers some of the same ground as the Your Thanet one, to be honest, but with the emphasis on matters Moleskiney. (More on that here.)

Royston's portfolio website

12.8.09

Digest caption competition: update


The deadline for suggestions for Reader's Digest's "Beat the Cartoonist" competition has passed, and you can now vote on your favourite caption. Or at least, that's what it says on the site, I couldn't see the four alternatives there. So watch this space, or, better still, watch this space: The "Beat the Cartoonist" web page

UPDATE UPDATED!: OK, the four options are there now.

UPDATED UPDATE UPDATED!: They're not there anymore, which I suppose means voting has closed. I belive that means the winner will be announced in the October issue, which comes out in about a month. Oh, the suspense! This is like The X-Factor. Of course, if the public don't vote my caption the funniest, I'll just sulk and point out that mine is the correct one as it's my blummin' cartoon, alright?

Royston's portfolio website

Interviewed by Your Thanet newspaper


One of our local papers, Your Thanet, has an interview with me today. Tom Betts from the paper sent me a bunch of questions via email. As I expected, it had to be edited a bit, because they also used one of my cartoons. (I thought an interview with a cartoonist without a cartoon would be a bit rubbish.)

So, in case you're interested, here's the full version:

How did you get into drawing cartoons?
Like most cartoonists, it’s something I’ve done since I was a child. Cartooning has always been there. I created strips for school magazines, I drew poster caricatures for student elections at college and so on. About 12 years ago I started sending gag cartoons to magazines on an on-spec basis and managed to get published fairly regularly. Then I set up a portfolio website (roystonrobertsonco.uk) and a blog (roystonrobertson.blogspot.com) and began getting commissioned work. Five years ago I gave up the day job and became a full-time freelancer.

Where do you get your inspiration?
This is almost the dreaded “where do you get your ideas from?” question. To which I usually reply, “Belgium”. But as you made the effort and used the word “inspiration”, I’ll try to give a sensible answer. The inspiration is all around us, I find. It’s in things people say and do, items on the TV, in the papers, new phrases and buzz-words, and so on.

Who do you work for and where do your cartoons feature?
My cartoons can be seen in magazines here and abroad such as Private Eye, Reader’s Digest and The Spectator. That’s the on-spec side of the job where you send out batches of cartoons and keep your fingers crossed. Then there’s the commissioned work, where people approach you to draw cartoons for books, trade mags, websites, adverts, you name it. I have worked for BBC Magazines, Oxford University Press, Channel 4 News and the Green Party, among many others. The most unusual commission I’ve ever had was the request to come up with six cartoons on the subject of “anaerobic digestion”. That’s the process of turning waste into bio-fuels. A tricky one, but I managed it.

Tell us a little bit about your background.
I’m originally from Catterick, North Yorkshire. I’m 41 and now live in Broadstairs with my wife and two young children. We moved to the area from London a little over five years ago. I was a journalist for ten years, starting out as a reporter for local papers in northeast London and ending up as a sub-editor at The Times. It was a great job, but I was drawing and selling cartoons in my spare time and knew that I really wanted to do that as a career. Not the most sensible of moves financially, because life as a freelance is always precarious, but cartooning scores high in job satisfaction.

What keeps you in Thanet, when London must be a more convenient location?
Not really, you can work anywhere as a cartoonist because commissions come via the internet and finished cartoons can be delivered by email. A lot of cartoon-related events, gallery openings and so on, take place in London, so I’d be lying if I said that living in Broadstairs is never an inconvenience, especially when you get the midnight train home and you hear those three words that send terror through your soul: Replacement Bus Service. But spending time at the beach hut and the occasional ice-cream in Morelli’s makes up for it.

Who are your heroes?
I’m not sure I have “heroes” as such. There’s always a risk that they’ll let you down. I am, however, a fan of the mini chocolate bars of the same name. Especially the Crunchies.

Where do you see yourself in five years?
Hopefully doing the same thing but selling more cartoons and not worrying about working through a recession. A regular slot in a high-profile newspaper or magazine is the dream, really. In the short term, I will be seeing myself on the telly later this year: I’m part of a team from the Professional Cartoonists’ Organisation who can be seen challenging the quiz experts on BBC2’s Eggheads.

If you had one wish for Thanet what would it be?
Faster, cheaper rail links would be nice. And fewer replacement buses.

9.8.09

A Kent horse and a seaside folk festival

Through the medium of a cartoon in a Kent newspaper, this week I attempted to solve an ongoing problem that is troubling the good people of the county.

For those not in the know, although Mark Wallinger's white horse design, which is to stand at Ebbsfleet, has been agreed (and dubbed "the Angel of the South" by the media) there are many in Kent who want it to be a rearing horse, the traditional "invicta" symbol of the county. With a little ingenuity, I reckon we could keep both camps happy ...

Might need a bit of extra public funding, and quite a bit of maintenance, but I reckon it could work!

More local news: Broadstairs Folk Week, the annual festival which takes over our town for a week every August, got going at the weekend. Here are a few on-the-spot sketches from the daily fun and games laid on for the kids at the seafront bandstand. Drawn on official Folk Week headed notepaper! (Click to enlarge.)

Royston's portfolio website

7.8.09

The Travelling Moleskine



I recently took part in a Travelling Moleskine project, as part of this year's Big Draw event. The Moleskine notebook is doing the rounds of members of the Professional Cartoonists' Organisation and idea is that each person makes his or her mark then passes it on, via the post, to the next volunteer.

The theme for the drawings is "naughtiness" and I gave them something old and something new. The old was this re-drawn version of a gag which featured in Prospect magazine in 2005.


"I don't need to check anything with 'the boys in forensics', I know it was you."

I traced this from a copy of the original and pasted into the Moleskine book. Cheating a little bit, I know, so I drew direct the following oddity directly onto the notebook page.


They were the naughty children we were warned about: Leaned back too far on his chair; The wind changed; Swallowed apple pips; Went blind doing "that"

It was a chance to do something different to the usual gags. It came out OK, I think, though I found it a tricky surface to work on as the paper is quite dark, plus it seems to absorb the ink very quickly, leaving a line considerably more dull than the deep black lines I'm used to.

Around 30 Moleskines have been sent out by the Culture Vulture, the organisation acting on behalf of the Campaign for Drawing, which stages the Big Draw every autumn. More details on the Moleskines can be found at theculturevulture.co.uk and you can see some of the works so far at this Flickr group

Royston's portfolio website

5.8.09

Swine flu cartoon


"With swine flu, we need to get the message across to the public that there is no need to panic."

This was drawn for a publication for health service managers. It's a regular commission I've had for some years, and the cartoon always features the same characters at a board meeting. So it was fun to put them all in swine flu masks.

You can see other cartoons in the series here, here, and (a very old one) here.

Royston's portfolio website

2.8.09

Five years as a full-time cartoonist


"Excuse me, could I have five minutes of your time?"

Today marks five years since I became a full-time freelance cartoonist. Friday 30th July, 2004, was my last day of salaried employment, then I had the weekend off to think, "Argh, what have I done?" before starting work on Monday 2nd August by staring at a blank piece of paper.

It's been an up and down few years, as most freelance work is, not helped recently by the recession. But the wolf has been kept from the door, even if he has sometimes got worryingly far up the garden path. And I have really enjoyed it.

I've developed far more, in terms of drawing and writing, than I would have if I had not had so much time to dedicate to cartooning. (The cartoon above, which appeared in Private Eye, was drawn not long after I went full-time, I think my style has developed a lot since then.) I have also had more time to get involved with cartoon organisations, events, festivals etc.

Anyway, I'll celebrate with a tipple tonight, and will drink to the next five years.

Help keep me in gainful employment by buying my cartoons!

28.7.09

Reader's Digest cartoon caption competition


This cartoon is the Reader's Digest "Beat the Cartoonist" drawing for August. The idea is that readers submit their captions, and the three best ones are posted on the website alongside my original wording. There's no clue as to which is the original, of course.

Visitors to the site then choose their favourite and if a reader's caption gets the most votes, that reader wins a cash prize and the original drawing.

I'll try not to sink into a deep depression if readers pick someone else's caption. As compensation for the hurt caused to us sensitive artists, we get paid extra for the original artwork anyway.

They certainly picked one with a lot of drawing in it. This took me ages. And I wasn't very happy with it, so I put in on the lightbox and drew it again. Which means that the artwork that someone may win is remarkably Tipp-Ex free ... a desirable item indeed!

Click here to go to the "Beat the Cartoonist" web page

Royston's portfolio website

26.7.09

Cartoon graffiti


"HELLO. who ARE you. whats your story?" asks this piece of graffiti, spotted by my three-year-old daughter during a train trip from Broadstairs to Whitstable yesterday.

Most graffiti consists of slogans, or names, declaring something. But this anonymous drawing turns it around and asks the viewer questions. Call me daft, but I found that, and the slightly forlorn looking cartoon character, oddly moving.

I don't know if I want to think about what implements people are carrying with them that allows them to scratch drawings into train windows though.

Royston's portfolio website

23.7.09

Rowing cartoon: Size matters


Getting the right size and shape for gag cartoons can be tricky and can require experimentation. Increasingly, I find I'm drawing them in a portrait shape, but with some jokes you have to go landscape.

This cartoon (click to enlarge) appears in this week's Private Eye. Originally the Owl and the Pussycat were rowing with no supplies. After the magazine took the gag, they contacted me to say that the characters were not easy to make out at the size the cartoon would be printed, and they suggested the honey pot to make it more clear. Works OK, I think.

In fact, I wasn't really thinking magazines when I drew this. It was originally drawn on-spec for an exhibition of rowing cartoons that a cartoonist colleague is hoping to stage next year, which is probably why I went for the "wider canvas". I'll let you know the details of the exhibition if and when that goes ahead.

Royston's portfolio website

20.7.09

An old Moon Landing cartoon


"C'mon you guys, I just need my own space sometimes."

This cartoon is so old that it was only 20-odd years since the Apollo 11 Moon Landing when I drew it. The joke is probably even older.

I present it here as we mark the 40th anniversary today, with all apologies. (Yes, I know the Moon is stupidly small, that only two guys ever walked on the moon at a time etc etc. It's clearly not thought through. Nice use of an Earth photo though, right?)

15.7.09

Cartoonists unleashed!


Occasionally I put down my pens, get on a train to London and socialise with other cartoonists. And a right good laugh we invariably have as well. Here's me pictured last week at Prospect magazine's annual summer party, with fellow scribblers Paul Lowe and new boy Rob Murray.

I think my dazed expression is the result of the flash from the camera wielded by another cartoonist, Clive Goddard, and not, as you may think, the effect of too much free wine.

The party was held in the garden behind Prospect's office in Bloomsbury. As is usual on these occasions, I spent most of the time chatting to other cartoonists, and so I failed do any "networking". Darn. There was lots of celeb spotting to be done though, mainly of the Guardian reader/Newsnight viewer variety ("Ooo look there's Martha Kearney!" etc.)

Of course, being invited to a magazine's party is no guarantee that your cartoons will appear regularly in it, and in fact I've not been seen in those pages since February. But they're very nice people who give booze and canapés to cartoonists, so I'll let them off.

Here's the first cartoon of mine that Prospect published, from way back in October 2004.

"Yes, it's a senseless act, but I fail to see how it has 'all the hallmarks of al-Qaida'."

Royston's portfolio website

Cartoon montage: It's all about the Benjamins


Here's an excerpt from a cartoon I drew recently for a business magazine. It was a last-minute decision to use a real image of a banknote and I think it, er, paid off as it works quite well.

It was for an international magazine, hence the use of a "Benjamin" rather than a British banknote. This kind of thing is quick and easy to do these days, thanks to Google Images and Photoshop. I had to tamper with the banknote a bit, making the "100" bigger and clearer. I hope this doesn't mean I'm going to jail?

Royston's portfolio website

8.7.09

The trouble with weather cartoons


The trouble with weather cartoons is that as soon as they reach publication the weather changes.

Looks like we're back to panel one now.

Royston's portfolio website

6.7.09

From the archives: Ten years on the web

Last month marked ten years since I first "launched" (rather a grand word, as nobody noticed) my cartoon portfolio website. I know this as I've still got the HTML pages on my computer. Here's what it looked like in 1999. Click to enlarge.



Hey, internet retro! Man, we loved those line rules back then. I put this together using a very basic grasp of HTML gleaned from a two-sheet A4 handout used by a friend of a friend who used to teach computers. What's amazing is how many sites you see now that still look like this.

The main cartoon was from New Statesman, from the days when they took on-spec gags. Scrolling down (it was only one page at this stage) we see a selection of gags from the Times' Saturday section Metro, now no longer with us.



Excuse the redacted old phone number! In the top left you can see the original of the leopard cartoon that has served me well and which I wrote about in May: Cartoons that keep on going.

My knowledge of HTML is still pretty basic so my portfolio site (which you can find at roystonrobertson.co.uk) may be slightly slicker and more well-stocked with (better) cartoons, but it is still a pretty straightforward affair. But when you're simply presenting cartoons, with a bit of info about them, I don't think you need too many whistles and bells.

30.6.09

Music cartoon: Return of the HMV dog


"Bloody students."

This cartoon, which appears in the July issue of Reader's Digest, was the result of a deliberate attempt at getting more mileage out of a well-worn cartoon theme!

I've had a few HMV dog cartoons published over the years, so I decided to see if I could come up with some more. I opened one of them on my computer in Photoshop and played about with the elements of the drawing – the dog and the gramophone – moving and rotating them, resizing them, copying and pasting etc.

It's an unusual way of developing gag ideas, for me anyway, but I came up with a few. Once I was happy with each one, I printed off the cobbled-together image and redrew it on my lightbox, so it looked more fluid. This is the only one that has been published so far, but you may yet see more HMV dog cartoons from me.

Royston's portfolio website

26.6.09

Sunny weather cartoon: A word of warning


Protect your eyes: Never look directly at pale legs

We British love to talk about the weather, so here's a joke about the lovely sunny spell we've been having lately. This cartoon appears in the new issue of Private Eye.

They say we're in for a "barbecue summer", so get out and enjoy it. By way of a reminder, here's a weather cartoon from last summer.

"Why are we British so obsessed ... with talking about the weather?"

Royston's portfolio website

24.6.09

Redacted cartoon


This cartoon has been redacted but we can assure you that it was very, very funny.

We were all faced with an unfamiliar word last week: redaction, the editing out of certain "sensitive" details from the newly released MPs' expenses claims.

The distinctive black rectangle was a striking visual image and, of course, a gift for cartoonists. You can see a round-up of redacted cartoons at the Bloghorn.

This one of mine didn't sell, but I didn't feel too bad about that because all I did was take an old desert-island cartoon and put a black rectangle on it in Photoshop!

Royston's portfolio website

17.6.09

From the archives: Football cartoon


"I must admit, your explanation of the offside rule was spot on."

Cartoonist Alex Matthews mentions this cartoon as one he wishes he'd thought of in his Cartoonist of the Month interview over at Prospect magazine's blog. It was in Reader's Digest in 2006.

This is one of those that I never had particularly high hopes for when I drew it (I thought it may have been done already) ... so, of course, it is one of the most popular cartoons I've ever drawn!

Hey, look! Here's one of those wordcloud thingies from the Wordle site. Everyone else seems to be doing them, so here's one created with this blog feed. Click to enlarge.


No surprises with most of the words that are prominent, such as "cartoon", "joke" etc. But it's always a bit disappointing that wordclouds highlight such mundane words as "come" and "going".

Royston's portfolio website