25.10.10

Battle of the Cartoonists 2010



Well, the PCO/Foghorn magazine team put together a cracking banner for the Battle of the Cartoonists at the Big Draw on Saturday, but we were pipped at the post in the "cheer-o-meter" by Private Eye.

I've written a full report on the day's fun and games over at the Bloghorn. Pictured above, with the banner, are, left to right, Cathy Simpson, Ian Ellery, myself, Robert Duncan and Nathan Ariss. Thanks to Denis Dowland for the photos.

The theme was "Make your mark on the future", and here's one of my cartoons:

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22.10.10

Topical cartoon: The axeman cometh

The Apprentice: Spending Review Special

Here's a cartoon drawn for a local paper on the Government's spending review, which was announced on Wednesday. I've combined reality TV with grim old actual reality.

I think a lot of people thought beforehand that the spending review would mean that councils would be forced to cut back on wasteful excesses in the area of paperclips, custard creams and so on.

They forget that real cutbacks means cutting real people's jobs. It is quite staggering that that the Government, which generally aims to cut unemployment, is about to put half a million people on the dole.

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Drawing a line in the sand with the CCGB

"Life's a beach."

This is a cartoon drawn in the sand on the beach at Skegness, where the Cartoonists' Club of Great Britain held its 2010 Convention and AGM last weekend.

As mentioned here before, I'd be lying if I said I wasn't a little wary about this three-day event: the combination of Skegness, Butlins and October seemed like some kind of elaborate joke!

But as I have been complaining for some time that the club has had few family-friendly events for several years (brewery tours are fine but not ideal with an 8-year-old and a 5-year-old in tow) I decided to take the plunge. It proved to be the right move as I, my wife, and our two children had a great time.

Cartoon by Noel Ford, after the famous poster by John Hassall

I didn't win the Cartoons in the Sand competition – there were too many desert island gags, I think! – but I did win in the Great British Holiday cartoon competition. There were three winners picked by the judges plus one voted by the public – "The What Do the Judges Know? Prize", as it was described – and I won that one, for this cartoon.
"This is rubbish, can we please do Ibiza next year?"

The highlight of the weekend was the excellent Saturday night gala meal, which included the prize-giving, a humour-based quiz, hosted by me, which went down well, and the always enjoyable informal sing-song led by Tim "The Ukulele" Harries.

As a bonus to all this, the kids got to enjoy swimming, play parks, and all the usual Butlins stuff. A note to regular Butlins-goers though: "All you can eat" is just an offer, not a strict instruction.

So, many thanks to the Cartoonists' Club for organising such a fun event. Hi-de-Hi, campers!

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21.10.10

Doing battle at The Big Draw


This weekend I'll be taking part in the Battle of the Cartoonists, part of the Big Draw Festival in London.

I'm on the Professional Cartoonists' Organisation team and we'll be competing against teams from Private Eye and The Guardian. The idea is that each team produces a banner on the festival theme of "Make Your Mark on the Future".

This year we're at The Scoop, an ampitheatre close to City Hall, aka the Greater London Assembly building, and Tower Bridge on the South Bank. The Battle takes place on Saturday between 3.15pm and 5pm. Voting is by public approval, so come along and cheer for us! There will also be workshops for cartoon enthusiasts of all ages.

I last took part in 2008, that's the banner we came up with above. That event took place at the revamped St Pancras station, hence the train tickets motif.

14.10.10

Private Eye Christmas cards

'Tis the season to be thinking about how near Christmas is getting, and Private Eye is on the case with its usual pack of festive cards for sale. And this year one of them is by me.

That's mine second from bottom on the right-hand side. I'm not putting it on here just yet, but you can see it on the site or, better still, buy sets of 12 cards online.

And if you'd like me to draw a Christmas card for you, it's probably a good idea to start thinking about it. Annoying, I know, but true!

13.10.10

Holiday cartoon: Farewell to summer

As the memory of a few bonus days of sunny weather fades, here's another cartoon I submitted for the Great British Holiday competition, which is part of the forthcoming Cartoonists' Club convention.

This is a coloured version of a Private Eye cartoon from summer 2009.

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11.10.10

Fairytale cartoon: Health & Safety gone mad

It's inevitable, with the amount of cartoons you produce working for magazines, that you like some more than others. This one I thought was just OK, a solid enough joke but generally I'd call it a batch-filler.

So, of course, it was the only one that sold in a recent batch sent to The Spectator, and can be seen in this week's issue.

Originally, I drew it for the CCGB online cartoon contest, in one of the weeks where you have to come up with a captionless cartoon. The theme was "Hot". However, completely "silent" cartoons, i.e. with no wording in them at all, are preferred, so it didn't do very well!

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7.10.10

Cave-painting cartoon: The untamed line

"No! It picture of hunt. It not 'really about inner conflict'..."

All cartoonists have favourite subjects to draw, and cavemen is one of mine. It's because you can go wild with the line, as the "costume" of the character is pretty flexible. And they're usually very ugly.

With a caveman cartoon, you're usually putting them in a modern context, so you're always aware that there's a chance the joke has already been done on The Flintstones! I use the word "modern" loosely as, amazingly, The Flintstones turned 50 last week.

I was reminded of this cartoon by a documentary I saw the other day which featured footage of J.R.R. Tolkien angrily denying that the Lord of the Rings was in any way a religious allegory, as everyone insisted on telling him. It must be annoying for any artist to have someone suggest a sub-text in their work that they never intended. Thankfully, this rarely happens in cartooning.

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30.9.10

Books cartoon: Thinking about inking

The Dragon with the Girl Tattoo

You may have seen quite a few cartoons around which play on Stieg Larsson's The Girl with the Dragon Tattoo. Cartoonists often riff off each other's ideas to come up with new jokes, and certain themes take hold. This cartoon can be seen in the October issue of Reader's Digest.

If you saw my Ramsgate Arts festival talk last month, you'll have got a sneak preview of this. You lucky people.

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22.9.10

Owl and Pussycat cartoon: The British holiday

"This is rubbish, can we please do Ibiza next year?"

This cartoon is one of three I have submitted for a competition on the theme of "The Great British Holiday", which is being run by the Cartoonists' Club of Great Britain.

Entries will be judged at the club's convention and AGM which is being held at Butlins, in Skegness, in October ... proving that the club certainly has a sense of humour!

We'll be going along as a family. I've been saying for years that the Cartoonists' Club should do some family friendly events, as it used to in its heyday, but I must admit to being initially a little wary of the combination of Butlins, Skegness and, er, October. Still, even if the weather is appalling, it's all about camaraderie and laughs really, so I'm sure a good time will be had by all.

The cartoon is from a short Owl and the Pussycat phase I went through last year ... here's another one.

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17.9.10

Officially as funny as Matt

"I know our brains see patterns where there are none, but you must admit that looks like Richard Dawkins."

It's nice to know that I can come up with the same joke as the nation's favourite cartoonist (editors take note.) Check out my cartoon from the August issue of Prospect, above, and today's Matt cartoon in the Daily Telegraph.

I should point out that I am in no way accusing Matt of plagiarism. Cartoonists often unwittingly come up with jokes that others have done. I've certainly done it. It tends to happen as we're all thinking about similar topical themes and working within the limited parameters of the joke cartoon.

Still, as I say, editors take note! ... Royston's portfolio website

Hat tip to my cartoonist pal Wilbur Dawbarn for spotting it.

14.9.10

Religion cartoon: Screaming Pope

As Pope Benedict is due to visit Britain this week, here's a cartoon I did a while back about scandals in the Catholic Church.

This was drawn and coloured completely with brush pens in a futile attempt to recreate one of Francis Bacon's haunting "Screaming Pope" paintings (this one: Study after Velazquez's Portrait of Pope Innocent.)

I was brought up as a Catholic and was even an altar boy, though thankfully I never suffered any abuse (no inappropriate jokes, please!) But, as you can probably guess from the cartoon, I'm now officially in the "lapsed" category.

More "art" cartoons

9.9.10

Not Yet Sold: Cowboy cartoon

"Actually, my name, if you had bothered to ask, is Keith."

Geddit?! He's been through the desert on a horse with no name! You know, like in the song? Oh, suit yourselves.

Perhaps the joke is a bit obscure, or expects a bit of a leap of logic, either way this cartoon is a long-time occupant of the rejected pile. Click the link for more Not Yet Sold cartoons.

It made me laugh, anyway. I liked the idea of a horse called Keith. My kids have a similar sense of humour, I think. We recently got an adorably cute kitten and they decided that he is to be called Mike. Not Fluffy, or Mr Tibbles. Mike.

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1.9.10

Family cartoon: Back to school

"You don't have to look quite so happy every time you see that sign..."

As the summer holidays draw to a close, here's a "back to school" cartoon, drawn for a local newspaper. I'd be lying if I said this was in no way autobiographical. Sorry, kids!

Royston's portfolio website

30.8.10

What a laugh: Cartoons with an audience

My cartooning talk and slideshow at the Summer Squall arts festival in Ramsgate went very well, I'm relieved to be able to report. I'd been a little nervous beforehand, mostly wondering if people would laugh at the cartoons (in the desired way, that is) but laugh they did.

As we cartoonists work alone we don't usually get much feedback on our jokes, bar the odd email, or comments from friends, and you're never there to actually see and hear the reaction to your work. So it was a rare privilege to have an audience.

The caption on the opening cartoon above is "Ooh, tough crowd." Tempting fate, I know, but thankfully they weren't.

I was relieved also that plenty of people turned up for the talk, which I named Back to the Drawing Board (after the Peter Arno cartoon which introduced the phrase to the language) despite the fact that there were alarmingly few pre-bookings. The room was full to capacity and I'm told there were around 45 people there, of all ages too, from children (I'm glad I removed a couple of the more risqué cartoons) to senior citizens.

The talk took place in the seminar rooms at Ramsgate Library, and included showing the creation of a cartoon from beginning to end, starting with notebook rough, on to the pencil drawing, below ...

... through to the inked version, the scanned and amended version which gets sent out, the full-colour version, when required, and finally the cartoon on the magazine page, below.

It was the cartoon below, from Reader's Digest in 2008, because I'd saved the original pencil sketch (which I normally throw away) for a planned "beginning-to-end" blog post that never got written.


"I'm uncomfortable with the idea of Hangman, so Josh and I are enjoying a game of Whole Life Tariff."

I showed how to generate ideas by riffing on favourite themes, such as art and paintings -- as it was an arts festival -- and how you can narrow it down and concentrate on a very specific theme, illustrating this with a load of cartoons, published and unpublished, on Nipper, the HMV dog.

The latter was one of the most successful parts of the talk. This unpublished one, in particular, drew a surprising, but oddly satisfying "Aaaaah!" from the audience ...

There were also sections on cartoons with very long captions (as an example of how sometimes you can go against the grain and still have a cartoon that works), new spins on old cartoon themes such as the desert island, captionless and wordless gags, and puns to avoid. I finished up with a selection of my personal favourites, ending with a cartoon that features a truism relevant to all cartoonists:


"Sure, I came up with fire, and the wheel, but you're only as good as your last idea."

So, a success and a very enjoyable experience. And now that I've done my first cartoon talk I can announce that I am available for weddings, parties, bar mitzvahs, funerals ...

Booking now!

26.8.10

Talk and slideshow ready for arts festival

"Death, where is thy Sting?"

This weekend I'll be putting the case for when puns are acceptable (the case for the defence, above), looking at how to generate ideas, presenting the "journey" of a cartoon from rough idea to magazine page, and generally showing off and hoping for laughs, with a talk/slideshow at A Summer Squall, the Ramsgate arts festival.

I've put the slideshow together this week and have written a few notes to go with it. There will also (hopefully) be a Q&A session.

If you're in the area, come along. It's on at Ramsgate Library at 2pm on Saturday. Admission is free but you need to book. Tickets are available at the Custom House, Harbour Parade, Ramsgate, or by calling 07544-971 685.

For more on A Summer Squall, a three-day event which includes music, theatre, film, exhibitions, workshops etc, see the website.

22.8.10

Not Yet Sold: Art cartoon

"Funny guy, eh?"

Here's another rejected cartoon. One of quite a few I've done over the years which riff on the René Magritte painting The Son of Man. Here's one which did see publication, and so is all coloured in properly.

Click the link for more Not Yet Sold cartoons.

Once again, this gag has been given an airing in a non-earning fashion, as it appears in the latest edition of the Foghorn, the magazine of the Professional Cartoonists' Organisation.

You can read an archive of the Foghorn online, just click the button on the right-hand column of this blog (scroll down). To buy a print subscription to the mag, which comes out six times a year, go here.

Royston's portfolio website

18.8.10

Book illustration: Keeping it fresh

This week I've been drawing some cartoon illustrations for the updated edition of a school careers textbook, replacing the drawings by the previous artist: me.

The book is about writing CVs and applying for jobs and college courses. The last lot were drawn in late 2006 and the book came out in 2007, so I was a bit unsure at first that I'd be able to come up with a whole bunch of different ideas on the same subject.

However, a lot has changed since 2006, and now there are chapters on using social-networking sites and so on. We didn't even know what a Twitter was in 2006!

Anyway, above is an illustration from the old edition. That's genuinely how people used to look for work back in the old days of the mid-to-late-noughties, kids.

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Angling cartoon: Tribute to a dead fish

Occasionally, local-paper stories which my cartoons accompany turn up on the national news. You may have heard this week about the death of Britain's biggest freshwater fish. Two Tone was a, er, local fish, from the Canterbury area. Here's the cartoon I drew.
"He was the carp of our hearts ... the people's oily freshwater fish ..."

It's a classic silly-season story if ever there was one, particularly when you hear that the fish has caused several broken marriages.

When I read that anglers were leaving messages of condolence on internet forums I decided the joke could be about the over-the-top way the public seems to react to death these days, and has done since the death of Princess Diana.

This cartoon shows that reference material can be a useful tool for cartoonists. I needed something to go with "the people's" so I looked up carp online and used the Wikipedia definition. I have to admit to chuckling at the idea of "the people's oily freshwater fish" as I drew!

Royston's portfolio website

12.8.10

Boardroom cartoon: The economic climate

"I think we must accept that things have got to get worse before they can get even worse."

It's been a while since I posted one of my boardroom cartoons, which I've drawn regularly for a business publication since 2003.

This one is about the current economic doom and gloom, with all the talk of cuts and more cuts. A cartoon for not very cheerful times. Still, I hope it raises a smile. Click the image to enlarge.

Royston's portfolio website