Punch is synonymous with British cartooning. The magazine closed in 2002 but as it had started in 1841 the name still carries a lot of recognition. I played only a very small role in the story of Punch: a handful of gags published in its final years. It was barely a walk-on part in the 160 years of the magazine, but I'm always proud to say that I made it in there.
Above: My first Punch cartoon, published in 1997, the year I began gag cartooning
Sadly, I did not make it into The Best of Punch Cartoons*, a new book which is out this week, so I was not invited to the launch party at Harrods yesterday ... but that wasn't going to stop me!
My cartoonist pal Clive Goddard passed on his invite to me, as he couldn't make it, so I phoned up Harrods (the Punch brand is still owned by Mohamed Al Fayed) and begged in a frankly unseemly fashion to be allowed to attend.
It was a great night. Lots of champagne and canapes, as you would expect, and the chance to catch up with fellow cartoonists and meet a few for the first time. The long-established guys reminisced about the Punch do's of old and lamented the fact that a magazine once seen as Britain's equivalent of The New Yorker is no longer with us.
Speeches were made by the publisher and the book's editor, and they pointed out many times that they were selling it at the launch at 20 per cent off. Although as someone pointed out (probably a money-savvy cartoonist) it's already cheaper than that on Amazon.
Those attending who did buy books were keen to get the cartoonists to sign them. I thought it only fair to point out every time that I'm not actually in the Best Of, but they didn't care. I think they were just fascinated and amused at seeing genuine, live cartoonists dragged out of their gloomy studios and into the glare of publicity.
Above: A Punch cartoon from 1998. Of my early efforts, I think this one got the most positive reaction from people
A fun night then, but every silver lining has a cloud: I was informed by those who are in the book that they have not received any payment. Sadly, this is not an unusual situation in British cartooning, but you do have to ask, how can it be right that cartoonists make no money from a book comprised solely of cartoons?
It's an excellent book, though, and a no-brainer as a Christmas pressie for the cartoon lover in your family (it's not exactly a stocking filler though, it's huge). So if you enjoy it, why not send a Christmas bonus to one of the non-remunerated cartoonists in the book?
Not me, you understand. Did I mention that I'm not in it?
*UPDATE 27/10/08: I have since found out that the book ignores the relaunched Punch of 1996-2002. It's a real shame that they didn't include any of the cartoons from that period, but it means I don't feel too bad about not being included!
Some Royston cartoons from existing magazines